Jon Merz - Plus est en vous Mireille Fulpius - Rémiges Marta Margnetti - Pisolino (dire adieu sans bouger, disparaître doucement) Martial Leiter - Elsa (dans les bois) Haus am Gern - Portal Gabriele Garavaglia - Ultimo Impero Emilie Ding - Cage's Ode (installation sonore multicanale) Miriam Laura Leonardi - Powerful Artists Rebecca Sauvin - Saisir les esprits de la Sourde Markus Weiss - Petit Bain Public Georg Keller et Zofia Kwasieborska - Archéologie de la disparition Alexandre Joly - La Chapelle Inversée Alexandre Joly - La Chapelle Inversée Urs Lüthi - Man with a View (Self-portrait) Les Frères Chapuisat - Rétrpgression Roman Signer - Installation simultanée Marta Margnetti - Pisolino (dire adieu sans bouger, disparaître doucement) Jonathan Delachaux et Zoé Cappon - Please wait to be seated Mireille Fulpius - Rémiges Judith Kakon - Chiba Judith Kakon - Chiba 2021_2500px Jean-Pierre Gerber - Le Carousel Judith Kakon - Chiba Judith Kakon - Chiba Grégory Sugnaux - La More Rebecca Sauvin - Saisir les esprits de la Sourde Marco Fedele di Catrano - Only sometimes, only by chance Chloé Delarue - Tafaa - Signal (le chant des esprits) Georg Keller et Zofia Kwasieborska - Archéologie de la disparition John Armleder et Olivier Mosset - Sans titre Val Minning - schak-schak wiek / djak-djak gih François Jaques - E-B 200621 Urs Twellmann - Passage vertical Simone Holliger - Players Timothée Calame - Mobilier / Documentaire (manifestation superficielles) #1 #2 #3

Concept

From the very first exhibition, in 1985, the founders defined the concept that was to characterise future exhibitions at Môtiers – and which remains valid today. It can be summed up in a few points:

Plural encounters

We decided that Môtiers would be a place for encounters: encounters between well-known artists and younger ones, encounters between the country’s four linguistic regions, encounters between visitors from all over Switzerland, encounters between families and specialists, a place where you could come with sole shoes.

Artists' visit

Regional history in the background

Even if it is customary to propose a theme for today’s exhibitions, we are keeping to the idea that we must leave artists complete freedom in the choice of their work. On the other hand, during the visits to the sites, we insist on the history, geography, sociological and economic problems of our valley, so that the artists can immerse themselves in them. Few of them fail to refer to what has been presented to them.

As a result, exhibition after exhibition has produced works that allude to Rousseau, absinthe, watchmaking, asphalt and, more generally, the surrounding Jura landscape, with its waterfalls, caves, rivers and craggy rocks, around an 18th-century village and a 10th-century monastery.

Exhibition 2011 - Alain Huck - Du contrat social
Exhibition 2015 - Pedro Wirz - Emoji

The people of the village at the heart of the project

Finally – and this is probably one of the elements of the concept that is closest to our hearts – we have always been keen on sharing our passion for art with the people of the village. In all modesty, we think we’ve succeeded. Artists can exhibit in private gardens, garages, fields, on facades or shop windows.

Ask for help, borrow a tool or a wheelbarrow, and the people of Môtiers are happy to oblige. Over a hundred volunteers are on hand to welcome visitors over the three months.

Exhibition 2007 - Zoé Cappon, Jonathan Delachaux et John Menoud - ... puisqu'il y a des habitants
Closing reception 2007 - Ursi, Bernhard, Basil, Brutus et Jwan Luginbühl - Final

The visitors

They come from all over Switzerland, France and Germany. Each year, over 30,000 people (re-) discover the route.

Caisse dans la Grande Rue
Art Môtiers 2021

In a nutshell

The Môtiers exhibitions, of which the one in 2026 will be the ninth, have acquired an important place in the Swiss artistic landscape. Playing on the possible relationships between art and geography, history, heritage and nature, they appeal to a large number of art-lovers, often with their families, and offer young and established artists the chance to create work outside museums and galleries.

They also help to showcase a somewhat remote region, which is ready to mobilise on such occasions.

Exhibition 2015 - Ben - Fuck art